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Joe Bill #1

01.08.2024 ·1 godz 15 min · 13 rozdziałów

Joe is based in improv Chicago universe, but had been traveling with improv since I was born. This time we're talking about the difference between inner engineer and jazzman, about political and popcultural influence on improv, what makes groups work (or not), his upcoming book, and traumas, obviously. No intro, nor outro this time, as I'm packing to Samothrace Improv Retreat, second half of our conversation when I get back!

2:26 · Kultura pop i improwizacja 1

Myślę, że w latach 80-tych i 2000-tych była moja praca w The Annoyance i na pewno było tam seks, drogi, rock'n'roll, co się działo wtedy. Ale jest też pojęcie pop-kulturowe. Myślałem o Reaganie i Georgem Bushie. To były lata Clintona. Bill Clinton był małym, seksywnym prezydentem beastem. Tak. I w Chicago, szczególnie, to był typ Michael Jordan i Bulls. I mimo tego, że wielu improwizatorów i artystów nie zainteresowało się tym, było trudno być w Chicago i nie czuć tego typu euforii.

66:02 · Krytyka szkolnej systematyki 1

Do you know what a Ponzi scheme is? It's like a pyramid scheme, right? And the con artists are the evangelicals and the people who go try to convert people. And it's all based in You can have everlasting life for all of eternity and happiness and joy or you're gonna burn in hell. And I mean I can't say anything better than George Carlin said it and thankfully people all over the world mostly can see his videos. Yes. But it's in that process fear and punishment like you say the Prussian school and shame. I mean that's puritanical America. Ironically, it's as much in the extreme right as it is in the extreme left.

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