Mentionsy

But it was a sad occasion, because Ralph Towner died on the 18th of January.

I think that the first piece is a little cute sounding, but on the other hand, I also think that having this element of this particular mood that Ralph Towner at least reminds me of.

Well, of course, we have to say where Ralph Towner came from to his listeners.

And I would like to bring you a little closer to Ralph Towner.

of this audition, because Ralph Towner is a lot of records.

The Silence of a Candle, 1974, Ralph Towner.

And here we can go a little deeper, I think, into Ralph Towner's instrumentarium, because this is also the subject of the river.

typical for Ralph Towner, but you can also see here the ability to cooperate with Ralph Towner with other musicians.

Because I think that this dialogue between John Obercrombie on an electric guitar and Ralph Towner on a classical guitar sounded very nice here.

And I just wanted to tell you, reading about the death of Ralph Towner, we come across an article in the New York Times.

If someone from you, for example, had an idea how to solve the problem of the effectiveness of Ralph Towner, then please write to the email address kontaktmałpa.kindofjazz.pl or on the Kind of Jazz Facebook Messenger.

I encourage you, maybe someone from you has some answer to this dilemma, which, to be honest, makes me wonder, because I wonder if, for example, when you listen to Ralph Towner, is it too difficult music, is it eclectic music, or is it music just for one winter evening?

And so, wandering around after the work of Ralph Towner, we would come across a piece that he recorded with Keith Jarrett in 1970.

Here, a little more classic, or even a classic face of Ralph Towner.

And it also needs to be mentioned, because Ralph Towner was not such a typical jazz artist.

I think Ralph Towner in the guitar category was just a bit of that character.

And so, maybe about the eclecticism of Ralph Towner, because he torments me a bit.